http://www.rafaeldeazevedo.com Rafael de Azevedo Wed, 23 Feb 2011 12:45:57 +0000 http://www.rafaeldeazevedo.com en http://www.rafaeldeazevedo.com/FILE-Livro http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/FILE-Livro Wed, 23 Feb 2011 12:45:57 +0000 Rafael de Azevedo 1095608 <img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img1.jpg" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img1_o.jpg" data-mid="5261027" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img2.jpg" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img2_o.jpg" data-mid="5261029" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img3.jpg" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img3_o.jpg" data-mid="5261033" border="0" align="left"/> The solution provided for FILE in form of a catalogue of the event. The solution provided for FILE in form of a catalogue of the event. http://www.rafaeldeazevedo.com/FILE-Site http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/FILE-Site Wed, 23 Feb 2011 10:54:24 +0000 Rafael de Azevedo 1095151 <img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img1.jpg" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img1_o.jpg" data-mid="5259324" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img2.jpg" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img2_o.jpg" data-mid="5259325" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img3.jpg" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img3_o.jpg" data-mid="5259327" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img4.jpg" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img4_o.jpg" data-mid="5259328" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img5.jpg" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img5_o.jpg" data-mid="5259330" border="0" align="left"/> Website for FILE Hypersonica and FILE Games, respectively the music and the gaming chapters of the FILE Electronic Language International Festival. A fluid, colorful layout looks at the squared visual quality of early digital technology. Creative Direction: Ana Starling Website for FILE Hypersonica and FILE Games, respectively the music and the gaming chapters of the FILE Electronic Language International Festival. A fluid,... http://www.rafaeldeazevedo.com/MGuia http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/MGuia Mon, 21 Feb 2011 12:25:31 +0000 Rafael de Azevedo 1086110 <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img1.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img1_o.jpg" data-mid="5217594" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img2.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img2_o.jpg" data-mid="5217595" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img3.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img3_o.jpg" data-mid="5217596" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img4.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img4_o.jpg" data-mid="5217598" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img5.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img5_o.jpg" data-mid="5217599" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img6.jpg" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img6_o.jpg" data-mid="5217601" border="0" align="left"/> Issue #10 of M&Guia fashion magazine. The opening spreads of the fashion editorials are interpretations of concepts elaborated in that season, in terms of relationships between typography and image. Creative Direction: Ricardo van Steen Issue #10 of M&Guia fashion magazine. The opening spreads of the fashion editorials are interpretations of concepts elaborated in that season, in terms of... http://www.rafaeldeazevedo.com/Guia-ESPN http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/Guia-ESPN Wed, 09 Feb 2011 14:14:32 +0000 Rafael de Azevedo 1038859 <img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img1.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img1_o.jpg" data-mid="4988780" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img2.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img2_o.jpg" data-mid="4988781" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img3.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img3_o.jpg" data-mid="4988782" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img4.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img4_o.jpg" data-mid="4988785" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img5.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img5_o.jpg" data-mid="4988788" border="0" align="left"/> Brochure of a target audience analysis for six sports comissioned by ESPN. When the analysis is made with each sport individually, a color is assinged to each one of them. Creative Direction: Ana Starling Brochure of a target audience analysis for six sports comissioned by ESPN. When the analysis is made with each sport individually, a color is assinged to each one... http://www.rafaeldeazevedo.com/TCC http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/TCC Wed, 09 Feb 2011 13:19:52 +0000 Rafael de Azevedo 1038840 <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img1.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img1_o.jpg" data-mid="4987468" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img2.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img2_o.jpg" data-mid="4987473" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img3.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img3_o.jpg" data-mid="4987479" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img4.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img4_o.jpg" data-mid="4987485" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img5.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img5_o.jpg" data-mid="4987488" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img6.jpg" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img6_o.jpg" data-mid="4987489" border="0" align="left"/> Undergraduate thesis, titled Image, Word, Medium: investigation of procedures in modern and contemporary graphic design. It consists of a parallel interpretation and analysis of the work of designers El Lissitzky and David Carson, in an attempt to find a structural approximation between the two. Selected for the 9th biennial of the brazillian graphic designers association (ADG Brasil), exhibited at the São Paulo Cultural Center, in Shanghai at the Raffles Design Institute and in Beijing at the Icograda World Design Congress, in 2009. Undergraduate thesis, titled Image, Word, Medium: investigation of procedures in modern and contemporary graphic design. It consists of a parallel interpretation...