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	<title>Rafael de Azevedo</title>
	<link>http://www.rafaeldeazevedo.com</link>
	<description>Rafael de Azevedo</description>
	<pubDate>Thu, 24 Feb 2011 04:08:36 +0000</pubDate>
	<generator>http://www.rafaeldeazevedo.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Canal Contemporâneo (2)</title>
		<link>http://www.rafaeldeazevedo.com/Canal-Contemporaneo-2</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/Canal-Contemporaneo-2</comments>
		<pubDate>Thu, 24 Feb 2011 04:08:36 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
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		<title>Canal Contemporâneo (1)</title>
		<link>http://www.rafaeldeazevedo.com/Canal-Contemporaneo-1</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/Canal-Contemporaneo-1</comments>
		<pubDate>Thu, 24 Feb 2011 04:08:33 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
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		<guid isPermaLink="false">1097456</guid>
		<description></description>
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		<title>FILE (Livro)</title>
		<link>http://www.rafaeldeazevedo.com/FILE-Livro</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/FILE-Livro</comments>
		<pubDate>Wed, 23 Feb 2011 18:45:57 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img1.jpg" border="0" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img1_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img2.jpg" border="0" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img2_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img3.jpg" border="0" width="492" height="321" width_o="492" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095608/RDAZ_Site_Proj6_Img3_o.jpg" align="left" /&#62; 

The solution provided for FILE in form of a catalogue of the event.</description>
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		<title>FILE Site</title>
		<link>http://www.rafaeldeazevedo.com/FILE-Site</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/FILE-Site</comments>
		<pubDate>Wed, 23 Feb 2011 16:54:24 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1095151</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img1.jpg" border="0" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img1_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img2.jpg" border="0" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img2_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img3.jpg" border="0" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img3_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img4.jpg" border="0" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img4_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img5.jpg" border="0" width="567" height="321" width_o="567" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1095151/RDAZ_Site_Proj5_Img5_o.jpg" align="left" /&#62; 

Website for FILE Hypersonica and FILE Games, respectively
the music and the gaming chapters of the FILE Electronic
Language International Festival. A fluid, colorful layout looks at the
squared visual quality of early digital technology.

Creative Direction: Ana Starling
</description>
		<wfw:commentRss></wfw:commentRss>

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		<title>Concreção Fluida</title>
		<link>http://www.rafaeldeazevedo.com/Concrecao-Fluida</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/Concrecao-Fluida</comments>
		<pubDate>Mon, 21 Feb 2011 19:56:41 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1039285</guid>
		<description></description>
		<wfw:commentRss></wfw:commentRss>

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		<title>MGuia</title>
		<link>http://www.rafaeldeazevedo.com/MGuia</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/MGuia</comments>
		<pubDate>Mon, 21 Feb 2011 18:25:31 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

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&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img1.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img1_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img2.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img2_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img3.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img3_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img4.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img4_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img5.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img5_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img6.jpg" border="0" width="490" height="321" width_o="490" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1086110/RDAZ_Site_Proj3_Img6_o.jpg" align="left" /&#62; 

Issue #10 of M&#38;Guia fashion magazine. The opening spreads of
the fashion editorials are interpretations of concepts
elaborated in that season, in terms of relationships between
typography and image.

Creative Direction: Ricardo van Steen
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Guia ESPN</title>
		<link>http://www.rafaeldeazevedo.com/Guia-ESPN</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/Guia-ESPN</comments>
		<pubDate>Wed, 09 Feb 2011 20:14:32 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1038859</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img1.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img1_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img2.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img2_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img3.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img3_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img4.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img4_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img5.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038859/RDAZ_Site_Proj3_Img5_o.jpg" align="left" /&#62; 

Brochure of a target audience analysis for six sports comissioned by ESPN. When the analysis is made with each sport individually, a color is assinged to each one of them.

Creative Direction: Ana Starling
</description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>TCC</title>
		<link>http://www.rafaeldeazevedo.com/TCC</link>
		<comments>http://www.rafaeldeazevedo.com/following/rafaeldeazevedo.com/TCC</comments>
		<pubDate>Wed, 09 Feb 2011 19:19:52 +0000</pubDate>

		<dc:creator>Rafael de Azevedo</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">1038840</guid>
		<description>
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img1.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img1_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img2.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img2_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img3.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img3_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img4.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img4_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img5.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img5_o.jpg" align="left" /&#62; 
&#60;img src="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img6.jpg" border="0" width="642" height="321" width_o="642" height_o="321" src_o="http://payload.cargocollective.com/1/1/63493/1038840/RDAZ_Site_Proj1_Img6_o.jpg" align="left" /&#62; 

Undergraduate thesis, titled Image, Word, Medium: investigation of procedures in modern and contemporary graphic design. It consists of a parallel interpretation and analysis of the work of designers El Lissitzky and David Carson, in an attempt to find a structural approximation between the two. Selected for the 9th biennial of the brazillian graphic designers association (ADG Brasil), exhibited at the São Paulo Cultural Center, in Shanghai at the Raffles Design Institute and in Beijing at the Icograda World Design Congress, in 2009.
</description>
		<wfw:commentRss></wfw:commentRss>

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